Diane Keaton was part of the wallpaper of the women in my generation's lives.

Is anyone watching season four of The Morning Show ? I hope it doesn’t get buried in the fourth season, “I don’t need to bother with this series anymore, it’s going on too long.” Spoiler alerts if you haven’t seen the third episode. It’s easy not to notice Mia. She’s got a profound role, and has through all the seasons, but she’s never standing at the front of the line. Why, you ask? Because she’s trying so hard to get to the ceiling, and because she has nothing else in her l

Half a century later, its themes feel prophetic. Identity, systemic inequity, and a culture addicted to media spectacle are even sharper in today’s world, where every crisis is broadcast and replayed in seconds. Dog Day Afternoon isn’t just a time capsule of the 1970s — it’s a mirror, reminding us how spectacle, desperation, and humanity intertwine.

Released in 1995, The Net imagined a world where one woman’s identity could be erased with a keystroke, long before we understood just how much power the internet would hold over our lives.